<![CDATA[Phantom Dynamics | Nightclub Lighting | Lasers & Sound: Latest News]]> https://phantomdynamics.com Mon, 06 Apr 2026 15:04:01 +0000 <![CDATA[What are the differences between the Laser Cube USA version and the International version?]]> https://phantomdynamics.com/blog/what-are-the-differences-between-the-laser-cube-usa-version-and-the-international-version/ Wed, 19 Jul 2023 19:14:10 +0000 https://phantomdynamics.com/blog/what-are-the-differences-between-the-laser-cube-usa-version-and-the-international-version/

The US version of the LaserCube 2.5 Wifi has been modified to comply with FDA regulations, the interlock circuit has been modified to meet the standards required for Class 4 systems with a reset requirement and emission delay. This does not affect the operation of the device other than the emergency stop system.

The US-version of LaserOS software has the burning and targeting features disabled. This is also due to US laser regulations and product liability concerns. There is no hardware or other restriction preventing US version LaserCubes from running the international version of LaserOS software which contains the burning and targeting modes.

]]>

The US version of the LaserCube 2.5 Wifi has been modified to comply with FDA regulations, the interlock circuit has been modified to meet the standards required for Class 4 systems with a reset requirement and emission delay. This does not affect the operation of the device other than the emergency stop system.

The US-version of LaserOS software has the burning and targeting features disabled. This is also due to US laser regulations and product liability concerns. There is no hardware or other restriction preventing US version LaserCubes from running the international version of LaserOS software which contains the burning and targeting modes.

]]> <![CDATA[Club Lasers for the Ultimate Laser Light Show!]]> https://phantomdynamics.com/blog/club-lasers-for-the-ultimate-laser-light-show/ Mon, 12 Nov 2018 18:36:08 +0000 https://phantomdynamics.com/blog/club-lasers-for-the-ultimate-laser-light-show/ Club lasers or an exciting and unique way to offer special effect laser lighting to any club.

These lasers come in a variety of powers and color configurations from Red, Green & Blue to RGB full color that can give you amazing laser light show over your crowd or the ability to graphics animations and text.

Club lasers are uniquely designed to give you special aerial laser beam effects over the crowd like liquid sky, hot beams or multi beam laser effects that look like a Star Wars battle over the crowd and have the ability too have you design custom and unique laser beam effects

You can control the lasers in sound active mode, DMX, ILDA or FB4 (Ethernet) - this will allow you to have an amazing laser light show and have the effects you really want to give you club lasers to have and give your customers that mind blowing laser light show

But just remember for the best laser effects you will need a fog or HAZE machine to fill the atmosphere of particulates to really see the laser beams in midair - this will give you that mid air laser effects, with out a Fog or HAZE machine you will not be able to see the laser beams.

]]> Club lasers or an exciting and unique way to offer special effect laser lighting to any club.

These lasers come in a variety of powers and color configurations from Red, Green & Blue to RGB full color that can give you amazing laser light show over your crowd or the ability to graphics animations and text.

Club lasers are uniquely designed to give you special aerial laser beam effects over the crowd like liquid sky, hot beams or multi beam laser effects that look like a Star Wars battle over the crowd and have the ability too have you design custom and unique laser beam effects

You can control the lasers in sound active mode, DMX, ILDA or FB4 (Ethernet) - this will allow you to have an amazing laser light show and have the effects you really want to give you club lasers to have and give your customers that mind blowing laser light show

But just remember for the best laser effects you will need a fog or HAZE machine to fill the atmosphere of particulates to really see the laser beams in midair - this will give you that mid air laser effects, with out a Fog or HAZE machine you will not be able to see the laser beams.

]]> <![CDATA[Plasma Globes - How do they work?]]> https://phantomdynamics.com/blog/plasma-globes-how-do-they-work/ Tue, 28 Aug 2018 19:17:19 +0000 https://phantomdynamics.com/blog/plasma-globes-how-do-they-work/ A plasma globe or plasma lamp (also called plasma ball, dome, sphere, tube or orb, depending on shape) is a clear glass container filled with a mixture of various noble gases with a high-voltage electrode in the center of the container.

When voltage is applied, a plasma is formed within the container. Plasma filaments extend from the inner electrode to the outer glass insulator, giving the appearance of multiple constant beams of colored light (see corona discharge and electric glow discharge). Plasma globes were most popular as novelty items in the 1980s.

The plasma lamp was invented by Nikola Tesla, during his experimentation with high-frequency currents in an evacuated glass tube for the purpose of studying high voltage phenomena.[2&91; Tesla called his invention an "inert gas discharge tube". The modern plasma lamp design was subsequently developed by Bill Parker, a student at MIT.

Although many variations exist, a plasma lamp is usually a clear glass sphere filled with a mixture of various gases (most commonly neon, sometimes with other noble gases such as argon, xenon and krypton) at nearly atmospheric pressure. They are driven by high-frequency (approximately 35 kHz) alternating current at 2–5 kV. The drive circuit is essentially a specialized power inverter, in which current from a lower-voltage DC supply powers a high-frequency electronic oscillator circuit whose output is stepped up by a high-frequency, high-voltage transformer. The radio-frequency energy from the transformer is transmitted into the gas within the globe through an electrode at its center. A much smaller hollow glass orb can also serve as an electrode when it is filled with metal wool or a conducting fluid that is in communication with the transformer output. In this case, the radio-frequency energy is admitted into the larger space by capacitive coupling right through the glass. Plasma filaments extend from the inner electrode to the outer glass insulator, giving the appearance of moving tendrils of colored light within the volume of the globe (see corona discharge and electric glow discharge).

Some globes have a control knob that varies the amount of power going to the center electrode. At the very lowest setting that will light or "strike" the globe, a single tendril is made. This single tendril's plasma channel engages enough space to transmit this lowest striking energy to the outside world through the glass of the globe. As the power is increased, this single channel's capacity is overwhelmed and a second channel forms, then a third, and so on. The tendrils each compete for a footprint on the inner orb as well. The energies flowing through these are all of the same polarity so they repel each other as like charges: a thin dark boundary surrounds each footprint on the inner electrode.

Placing a finger tip on the glass creates an attractive spot for the energy to flow, because the conductive human body (having non-ohmic resistance of about 1000 ohms at room temperature) is more easily polarized than the dielectric material around the electrode (i.e. the gas within the globe) providing an alternative discharge path having less resistance. Therefore, the capacity of the large conducting body to accept radio frequency energy is greater than that of the surrounding air. The energy available to the filaments of plasma within the globe will preferentially flow toward the better acceptor. This flow also causes a single filament, from the inner ball to the point of contact, to become brighter and thinner. The filament is brighter because there is more current flowing through it and into the 150 pF capacity, or capacitance, presented by an object, a conducting body, the size of a human. The filament is thinner because the magnetic fields around it, augmented by the now-higher current flowing through it, causes a magnetohydrodynamic effect called self-focusing: the plasma channel's own magnetic fields create a force acting to compress the size of the plasma channel itself.

Much of the movement of the filaments is due to heating of the gas around the filament. When gas along the filament is heated, it becomes more buoyant and rises, carrying the filament with it. If the filament is discharging into a fixed object (like a hand) on the side of the globe, it will begin to deform into a curved path between the central electrode and the object. When the distance between the electrode and the object becomes too great to maintain, the filament will break and a new filament will reform between the electrode and the hand. (See also Jacob's Ladder, which exhibits a similar behavior.)

An electric current is produced within any conductive object near the orb. The glass acts as a dielectric in a capacitor formed between the ionized gas and the hand.

The globe is prepared by pumping out as much air as is practical. The globe is then back-filled with neon to a pressure similar to one atmosphere. If the radio-frequency power is turned on, if the globe is "struck" or "lit", now, the whole globe will glow a diffuse red. If a little argon is added, the filaments will form. If a very small amount of xenon is added, the "flowers" will bloom at the ends of the filaments

The neon available for purchase for a neon-sign shop often comes in glass flasks at the pressure of a partial vacuum. These cannot be used to fill a globe with a useful mixture. Tanks of gas, each with its specific, proper, pressure regulator and fitting, are required: one for each of the gases involved.

Of the other noble gases, radon is radioactive, helium escapes through the glass relatively quickly, and krypton is quite expensive. Other gases can be used, such as mercury vapor. Molecular gases may be dissociated by the plasma.

Applications

Plasma globes are mainly used as curiosities or toys for their unique lighting effects and the "tricks" that can be performed on them by users moving their hands around them. They might also form part of a school's laboratory equipment for demonstration purposes. They are not usually employed for general lighting. However, as of recent years, some novelty stores have begun selling a miniature plasma lamp nightlight that can be mounted on a standard light socket.

Plasma globes can be used for experimenting with high voltages. If a conductive plate or wire coil is placed on the globe, capacitive coupling can transfer enough voltage to the plate or coil to produce a small arc or energize a high voltage load. This is possible because the plasma inside the globe and the conductor outside it act as plates of a capacitor, with the glass in between as a dielectric. A step-down transformer connected between the plate and the globe's electrode can produce lower-voltage, higher-current radio frequency output. Careful earth grounding is essential to prevent injury or damage to equipment.

Hazards

Bringing conductive materials or electronic devices close to a plasma globe may cause the glass to become hot. The high voltage radio frequency energy coupled to them from within the globe may cause a mild electric shock to the person touching, even through a protective plastic casing. The radio frequency field produced by plasma lamps can interfere with the operation of touch-pads used on laptop computers, digital audio players, cell phones, and other similar devices. Some types of plasma globes can radiate sufficient radio frequency interference (RFI) to interfere with cordless telephones and Wi-Fi devices several feet or some meters away.

If an electrical conductor touches the outside of the globe, capacitive coupling can induce enough potential on it to produce a small arc. This is possible because the globe's glass acts as a capacitor dielectric: the inside of the lamp acts as one plate, and the conductive object on the outside acts as the opposite capacitor plate. This is a dangerous action which can damage the globe or other electronic devices, and presents a fire ignition hazard.

Wikipedia

]]> A plasma globe or plasma lamp (also called plasma ball, dome, sphere, tube or orb, depending on shape) is a clear glass container filled with a mixture of various noble gases with a high-voltage electrode in the center of the container.

When voltage is applied, a plasma is formed within the container. Plasma filaments extend from the inner electrode to the outer glass insulator, giving the appearance of multiple constant beams of colored light (see corona discharge and electric glow discharge). Plasma globes were most popular as novelty items in the 1980s.

The plasma lamp was invented by Nikola Tesla, during his experimentation with high-frequency currents in an evacuated glass tube for the purpose of studying high voltage phenomena.[2&91; Tesla called his invention an "inert gas discharge tube". The modern plasma lamp design was subsequently developed by Bill Parker, a student at MIT.

Although many variations exist, a plasma lamp is usually a clear glass sphere filled with a mixture of various gases (most commonly neon, sometimes with other noble gases such as argon, xenon and krypton) at nearly atmospheric pressure. They are driven by high-frequency (approximately 35 kHz) alternating current at 2–5 kV. The drive circuit is essentially a specialized power inverter, in which current from a lower-voltage DC supply powers a high-frequency electronic oscillator circuit whose output is stepped up by a high-frequency, high-voltage transformer. The radio-frequency energy from the transformer is transmitted into the gas within the globe through an electrode at its center. A much smaller hollow glass orb can also serve as an electrode when it is filled with metal wool or a conducting fluid that is in communication with the transformer output. In this case, the radio-frequency energy is admitted into the larger space by capacitive coupling right through the glass. Plasma filaments extend from the inner electrode to the outer glass insulator, giving the appearance of moving tendrils of colored light within the volume of the globe (see corona discharge and electric glow discharge).

Some globes have a control knob that varies the amount of power going to the center electrode. At the very lowest setting that will light or "strike" the globe, a single tendril is made. This single tendril's plasma channel engages enough space to transmit this lowest striking energy to the outside world through the glass of the globe. As the power is increased, this single channel's capacity is overwhelmed and a second channel forms, then a third, and so on. The tendrils each compete for a footprint on the inner orb as well. The energies flowing through these are all of the same polarity so they repel each other as like charges: a thin dark boundary surrounds each footprint on the inner electrode.

Placing a finger tip on the glass creates an attractive spot for the energy to flow, because the conductive human body (having non-ohmic resistance of about 1000 ohms at room temperature) is more easily polarized than the dielectric material around the electrode (i.e. the gas within the globe) providing an alternative discharge path having less resistance. Therefore, the capacity of the large conducting body to accept radio frequency energy is greater than that of the surrounding air. The energy available to the filaments of plasma within the globe will preferentially flow toward the better acceptor. This flow also causes a single filament, from the inner ball to the point of contact, to become brighter and thinner. The filament is brighter because there is more current flowing through it and into the 150 pF capacity, or capacitance, presented by an object, a conducting body, the size of a human. The filament is thinner because the magnetic fields around it, augmented by the now-higher current flowing through it, causes a magnetohydrodynamic effect called self-focusing: the plasma channel's own magnetic fields create a force acting to compress the size of the plasma channel itself.

Much of the movement of the filaments is due to heating of the gas around the filament. When gas along the filament is heated, it becomes more buoyant and rises, carrying the filament with it. If the filament is discharging into a fixed object (like a hand) on the side of the globe, it will begin to deform into a curved path between the central electrode and the object. When the distance between the electrode and the object becomes too great to maintain, the filament will break and a new filament will reform between the electrode and the hand. (See also Jacob's Ladder, which exhibits a similar behavior.)

An electric current is produced within any conductive object near the orb. The glass acts as a dielectric in a capacitor formed between the ionized gas and the hand.

The globe is prepared by pumping out as much air as is practical. The globe is then back-filled with neon to a pressure similar to one atmosphere. If the radio-frequency power is turned on, if the globe is "struck" or "lit", now, the whole globe will glow a diffuse red. If a little argon is added, the filaments will form. If a very small amount of xenon is added, the "flowers" will bloom at the ends of the filaments

The neon available for purchase for a neon-sign shop often comes in glass flasks at the pressure of a partial vacuum. These cannot be used to fill a globe with a useful mixture. Tanks of gas, each with its specific, proper, pressure regulator and fitting, are required: one for each of the gases involved.

Of the other noble gases, radon is radioactive, helium escapes through the glass relatively quickly, and krypton is quite expensive. Other gases can be used, such as mercury vapor. Molecular gases may be dissociated by the plasma.

Applications

Plasma globes are mainly used as curiosities or toys for their unique lighting effects and the "tricks" that can be performed on them by users moving their hands around them. They might also form part of a school's laboratory equipment for demonstration purposes. They are not usually employed for general lighting. However, as of recent years, some novelty stores have begun selling a miniature plasma lamp nightlight that can be mounted on a standard light socket.

Plasma globes can be used for experimenting with high voltages. If a conductive plate or wire coil is placed on the globe, capacitive coupling can transfer enough voltage to the plate or coil to produce a small arc or energize a high voltage load. This is possible because the plasma inside the globe and the conductor outside it act as plates of a capacitor, with the glass in between as a dielectric. A step-down transformer connected between the plate and the globe's electrode can produce lower-voltage, higher-current radio frequency output. Careful earth grounding is essential to prevent injury or damage to equipment.

Hazards

Bringing conductive materials or electronic devices close to a plasma globe may cause the glass to become hot. The high voltage radio frequency energy coupled to them from within the globe may cause a mild electric shock to the person touching, even through a protective plastic casing. The radio frequency field produced by plasma lamps can interfere with the operation of touch-pads used on laptop computers, digital audio players, cell phones, and other similar devices. Some types of plasma globes can radiate sufficient radio frequency interference (RFI) to interfere with cordless telephones and Wi-Fi devices several feet or some meters away.

If an electrical conductor touches the outside of the globe, capacitive coupling can induce enough potential on it to produce a small arc. This is possible because the globe's glass acts as a capacitor dielectric: the inside of the lamp acts as one plate, and the conductive object on the outside acts as the opposite capacitor plate. This is a dangerous action which can damage the globe or other electronic devices, and presents a fire ignition hazard.

Wikipedia

]]> <![CDATA[Laser Light Show Projector Power Ratings ]]> https://phantomdynamics.com/blog/laser-light-show-projector-power-ratings-/ Mon, 04 Sep 2017 23:00:18 +0000 https://phantomdynamics.com/blog/laser-light-show-projector-power-ratings-/ Selecting a laser projector for your club or DJ gig can be tricky especially if your not sure what power rating you might need for your venue. Laser projectors, or laser scanners are available in a few different configurations - Usually aerial or graphic.

Aerial lasers are positioned for aerial laser beam effects that shoot lasers beams over the crowd and do effects like liquid sky and other “Star Wars” laser beam effects. Graphic lasers are postponed for laser graphics like animations, text and graphics usually designed for trade shows, special effects or promotions and project the laser effects on a wall, scrim or screen, however both laser configurations can do both aerial effects and graphics, each laser is set up to do one or the other (aerial or graphic) a little better than the other, however for the most part, higher end graphic lasers the best choice for both for larger venues or when you might need both effects from venue to venue because they can do both pretty good

The FDA has special guidelines for lasers used for entertainment - All lasers under 5mw (mw - is equal to one thousandth (10−3) of a watt) can be purchased and used in almost any way wanted and there is no need for a variance.  The <5mw lasers are usually set up as DJ lasers. A variance is kinda like a license needed for all entertainment lasers over the power rating grater than 5wm and over. A variance application needs to be filled out and filed with the FDA to use all lasers over 5mw. Laser under 5mw are best used for mobile DJ's, homes, dorms, small parties and in smaller clubs.

Once you start looking for a laser projector designed for laser light shows for larger venues, you will need a laser with much more power and these usually start off in a pretty good jump from <5mw power to 300mw +(1000 mw = 1WATT) - and from there move up into X = WATTS of power. A 1 WATT RGB (Red Green & Blue - Full Color) laser is appropriate for a small club or venue with a target power rating of between 1 WATT to 5 WATTS, same with graphic type lasers. Concert laser light show projectors are better in the 10’s of WATTS + power range and outdoor lasers need to be in the 100’s of WATTS power range, however, special note: there are a lot of restrictions with using lasers outdoors and around airports ECT… so you will need to check with your local authorities and the FDA before you move forward on any events or projects using lasers outdoors

The word laser is a acronym for “Light Amplification by Stimulated Emission of Radiation". so you are basically seeing a beam of radiation as light - In the US, the FDA does not want any lasers beams to interact with people or the crowd or have the ability to scan the crowd or for the crowd to interact with the laser (however some crowd scanning technology is available and you need special licensing to use it, and yes we have it!) - but for the use of a DJ, or nightclub, lasers are set up to shoot laser beams over the crowd (minimum of 3 meters) or onto a structure that does not reflect back into the chord or a wall that the crowd can not come in contact with - in the addition of exposing the crowd to some extra radiation these lasers have the ability to cause eye damage if a laser beam comes in contact with the retina of a persons eye, your eye can not react fast enough to blink, close or for you to move your head away from the laser beam fast enough before the laser can cause damage to you eye, however this would be most likely the case with a static laser beam (straight beam no moving or scanning back and forth) and of the much higher power ratings.

All venues using these types of higher powered lasers will have a variance showing these lasers are set up and installed in a appropriate way so the laser beams will not contact the audience. All lasers sold in the US must be compliant to use and must acquire a variance from the FDA - Most of not all lasers sold from Asia, and a few from Europe are not compliant to use here in the US (a compliment laser all have special safety features designed into them for safe operation), so they can comply with the FDA guidelines for using a laser in a public venues) - Lasers that are not compliant with the FDA are illegal and have and have a lot of safety violations, so Buyer Beware! - Only purchase and use lasers that are compliant with the FDA or there could be huge fines levied from the FDA if you are caught using a non compliant laser or you don’t have a variance - also if you try to purchase these laser from Ebay or overseas, they will most likely be seized by customs and you will be out of your laser and your money

Also remember, you will need a fog or HAZE machine to see the laser beams in the mid air like you see in all of our videos, the higher power the laser the less fog or HAZE yow will need - for outdoor venues, the more power the better because the lasers use the moisture or particulates in the air to bloom and light up so you can see them, if you don’t have enough power for outdoor lasers shows you will not see the laser beams at all, so power is important. The rule of thumb for most venues is the more power you can budget for the better, you can in most cases lower the power output of the laser if it is pushing out too much for the venue, however you can’t increase the power over the power rating if the laser is under powered for the venue - for more information, please do not hesitate to give us a call - 406-270-3327

]]> Selecting a laser projector for your club or DJ gig can be tricky especially if your not sure what power rating you might need for your venue. Laser projectors, or laser scanners are available in a few different configurations - Usually aerial or graphic.

Aerial lasers are positioned for aerial laser beam effects that shoot lasers beams over the crowd and do effects like liquid sky and other “Star Wars” laser beam effects. Graphic lasers are postponed for laser graphics like animations, text and graphics usually designed for trade shows, special effects or promotions and project the laser effects on a wall, scrim or screen, however both laser configurations can do both aerial effects and graphics, each laser is set up to do one or the other (aerial or graphic) a little better than the other, however for the most part, higher end graphic lasers the best choice for both for larger venues or when you might need both effects from venue to venue because they can do both pretty good

The FDA has special guidelines for lasers used for entertainment - All lasers under 5mw (mw - is equal to one thousandth (10−3) of a watt) can be purchased and used in almost any way wanted and there is no need for a variance.  The <5mw lasers are usually set up as DJ lasers. A variance is kinda like a license needed for all entertainment lasers over the power rating grater than 5wm and over. A variance application needs to be filled out and filed with the FDA to use all lasers over 5mw. Laser under 5mw are best used for mobile DJ's, homes, dorms, small parties and in smaller clubs.

Once you start looking for a laser projector designed for laser light shows for larger venues, you will need a laser with much more power and these usually start off in a pretty good jump from <5mw power to 300mw +(1000 mw = 1WATT) - and from there move up into X = WATTS of power. A 1 WATT RGB (Red Green & Blue - Full Color) laser is appropriate for a small club or venue with a target power rating of between 1 WATT to 5 WATTS, same with graphic type lasers. Concert laser light show projectors are better in the 10’s of WATTS + power range and outdoor lasers need to be in the 100’s of WATTS power range, however, special note: there are a lot of restrictions with using lasers outdoors and around airports ECT… so you will need to check with your local authorities and the FDA before you move forward on any events or projects using lasers outdoors

The word laser is a acronym for “Light Amplification by Stimulated Emission of Radiation". so you are basically seeing a beam of radiation as light - In the US, the FDA does not want any lasers beams to interact with people or the crowd or have the ability to scan the crowd or for the crowd to interact with the laser (however some crowd scanning technology is available and you need special licensing to use it, and yes we have it!) - but for the use of a DJ, or nightclub, lasers are set up to shoot laser beams over the crowd (minimum of 3 meters) or onto a structure that does not reflect back into the chord or a wall that the crowd can not come in contact with - in the addition of exposing the crowd to some extra radiation these lasers have the ability to cause eye damage if a laser beam comes in contact with the retina of a persons eye, your eye can not react fast enough to blink, close or for you to move your head away from the laser beam fast enough before the laser can cause damage to you eye, however this would be most likely the case with a static laser beam (straight beam no moving or scanning back and forth) and of the much higher power ratings.

All venues using these types of higher powered lasers will have a variance showing these lasers are set up and installed in a appropriate way so the laser beams will not contact the audience. All lasers sold in the US must be compliant to use and must acquire a variance from the FDA - Most of not all lasers sold from Asia, and a few from Europe are not compliant to use here in the US (a compliment laser all have special safety features designed into them for safe operation), so they can comply with the FDA guidelines for using a laser in a public venues) - Lasers that are not compliant with the FDA are illegal and have and have a lot of safety violations, so Buyer Beware! - Only purchase and use lasers that are compliant with the FDA or there could be huge fines levied from the FDA if you are caught using a non compliant laser or you don’t have a variance - also if you try to purchase these laser from Ebay or overseas, they will most likely be seized by customs and you will be out of your laser and your money

Also remember, you will need a fog or HAZE machine to see the laser beams in the mid air like you see in all of our videos, the higher power the laser the less fog or HAZE yow will need - for outdoor venues, the more power the better because the lasers use the moisture or particulates in the air to bloom and light up so you can see them, if you don’t have enough power for outdoor lasers shows you will not see the laser beams at all, so power is important. The rule of thumb for most venues is the more power you can budget for the better, you can in most cases lower the power output of the laser if it is pushing out too much for the venue, however you can’t increase the power over the power rating if the laser is under powered for the venue - for more information, please do not hesitate to give us a call - 406-270-3327

]]> <![CDATA[Laser Lights and Laser Light Show Projectors]]> https://phantomdynamics.com/blog/laser-lights-and-laser-light-show-projectors/ Sun, 16 Jul 2017 01:14:36 +0000 https://phantomdynamics.com/blog/laser-lights-and-laser-light-show-projectors/ Laser lights are one of the most sought after lighting effects for nightclubs, concerts, DJs or bands are laser beams blasting over the crowd for that awesome amazing special effects that look like a space battle from Star Wars.

Lasers can produce a mind blowing light show that can add visual amazement to your venue like no other light can. Laser lights are produced using laser projectors that are available in many power factors and colors. The most popular lasers projector today are RGB, meaning these lasers combine a red, green and blue laser diode that are mixed to give you a verity of rich colors.

The laser power can vary from a few milliwatts to watts (the more power you can budget for the better in most cases) - Laser lights and be sound active or controlled via DMX for basic control or a computer software program called ILDA that can add hundreds of aerial effects as well as graphics, text and or animations to you laser light show.

Aerial lasers are better suited for aerial laser beam effects and graphic laser are better suited for graphics, animations and text, however a graphic laser with a good amount of power can do both aerial and graphics laser beam effects equally as well where as a aerial laser is designed mostly for aerial laser beam effects, and can display both aerial and animations but they will appear a little choppy, where as the good graphic laser will have the ability for much smoother and fluid animations and graphics as well as amazing aerial laser beam effects. - Most of today's lasers are set up to do both aerials and graphics, however one will be a little better at one effect or the other to some degree

Just remember you will need a fog or haze machine to see the laser beam effects in the mid air like you would and and concert or nightclub.

]]> Laser lights are one of the most sought after lighting effects for nightclubs, concerts, DJs or bands are laser beams blasting over the crowd for that awesome amazing special effects that look like a space battle from Star Wars.

Lasers can produce a mind blowing light show that can add visual amazement to your venue like no other light can. Laser lights are produced using laser projectors that are available in many power factors and colors. The most popular lasers projector today are RGB, meaning these lasers combine a red, green and blue laser diode that are mixed to give you a verity of rich colors.

The laser power can vary from a few milliwatts to watts (the more power you can budget for the better in most cases) - Laser lights and be sound active or controlled via DMX for basic control or a computer software program called ILDA that can add hundreds of aerial effects as well as graphics, text and or animations to you laser light show.

Aerial lasers are better suited for aerial laser beam effects and graphic laser are better suited for graphics, animations and text, however a graphic laser with a good amount of power can do both aerial and graphics laser beam effects equally as well where as a aerial laser is designed mostly for aerial laser beam effects, and can display both aerial and animations but they will appear a little choppy, where as the good graphic laser will have the ability for much smoother and fluid animations and graphics as well as amazing aerial laser beam effects. - Most of today's lasers are set up to do both aerials and graphics, however one will be a little better at one effect or the other to some degree

Just remember you will need a fog or haze machine to see the laser beam effects in the mid air like you would and and concert or nightclub.

]]> <![CDATA[ADJ Stinger Spot LED-Powered Nightclub DJ Moving Head Light Fixture]]> https://phantomdynamics.com/blog/adj-stinger-spot-ledpowered-nightclub-dj-moving-head-light-fixture/ Sat, 15 Jul 2017 23:40:53 +0000 https://phantomdynamics.com/blog/adj-stinger-spot-ledpowered-nightclub-dj-moving-head-light-fixture/ The ADJ's Stinger Spot is an LED-powered moving head with a retail price of just $199.99. Offering a full complement of useful features, this compact moving spot is an ideal option if you’re a mobile entertainer and also if you specify fixed installations in a venues such as small clubs and bars, roller rinks, bowling alleys, and leisure centers. Its diminutive size makes it particularly useful for such venues that have a low ceiling height, allowing it to fit into spaces that wouldn’t be practical for larger units.

The Stinger Spot is powered by a bright 10-Watt white LED light-source which is paired with advanced optics that means the output is comparable to other more powerful fixtures. With a beam angle of 13-degrees it is ideal for creating impactful mid-air effects as well as for projecting GOBO patterns onto venue walls, ceilings, and dancefloors.

With pan and tilt ranges of 510-degrees and 210-degrees respectively, the unit’s head has a wide field of movement. Its small size allows for extremely fast motion, while the inclusion of 16-bit fine control over the stepper motors allow for precise positioning and smooth motion at slower speeds. Whether you’re looking for a fixture to spotlight the cake or special moments at a wedding, or to fill a dancefloor with fast-paced moving colored light beams, the Stinger Spot has you covered.

The fixture is fitted with independent color and GOBO wheels, giving you a wide variety of options when it comes to designing a lightshow. The color wheel features seven richly saturated color filters, in addition to an open white slot, while the GOBO wheel is supplied with seven detailed fixed patterns, as well as an open spot. GOBO scrolling and shaking effects further add to the creative potential of the fixture along with a variable speed strobe function. A manual focus lens is also mounted on the front of the unit which can be adjusted to ensure sharp patterns at different projection distances.

The Stinger Spot also offers plenty of flexibility when it comes to operating modes. It doesn’t matter if you want to control exactly what the fixture is doing at any given moment or if you’d prefer to ‘set it and forget it’ running its pre-programmed effects, this flexible unit covers all bases. It features a four-segment LED display, with four corresponding push-buttons, to provide access to an intuitive menu-driven interface that allows easy selection between its three operating modes and their various options.

For simple ‘plug and play’ operation, the fixture is supplied with four pre-set lightshows. You can set these to run at a constant speed in Show mode or triggered by the beat of your music, detected by an internal microphone, using Sound mode. You can also link together multiple fixtures using XLR cables to easily create a synchronized lightshow in either of these modes, while the option to select any of the fixtures to carry out inverted movements is simple to select.

If you want to use a controller or piece of software to create custom looks and programs for your lightshow, the Stinger Spot is also compatible with the universal DMX control protocol. You can easily select between a basic 9-channel mode (if you have limited DMX channels available) and a full 11-channel mode (which adds in fine pan and tilt control), providing full remote control of all of the fixture’s various features.

With an operating life of approximately 50,000 hours, lamp replacement is a thing of the past when you choose the Stinger Spot. Another advantage of the LED light-source is its low power draw of just 36-Watts. This means that if you’re a mobile entertainer you can easily run multiple fixtures and a sound system from just one domestic mains power socket.

The easily-portable fixture measures just 6.75” x 5.75” x 10.75” / 174 x 145 x 273mm (LxWxH) and weighs only 7 lbs. / 3 kgs. It is fitted with rubber feet – allowing it to stand directly on a truss podium, speaker, stage, or riser – and is also supplied with an Omega bracket to allow the attachment of a truss clamp. The unit is fan-cooled and is fitted with both input and output sockets for power, which allows multiple fixtures to be connected together from one mains power socket.

Continuing ADJ’s commitment to bringing our customers effective and reliable products at affordable prices, the Startec Stinger Spot brings the flexibility of moving heads within the budget of many mobile entertainers and smaller venues for which they wouldn’t previously have been an option. Combining a powerful LED light-source, advanced optics, and a variety of useful features, this fixture is an ideal first moving head as well as an affordable replacement for older halogen-lamp powered units.

]]> The ADJ's Stinger Spot is an LED-powered moving head with a retail price of just $199.99. Offering a full complement of useful features, this compact moving spot is an ideal option if you’re a mobile entertainer and also if you specify fixed installations in a venues such as small clubs and bars, roller rinks, bowling alleys, and leisure centers. Its diminutive size makes it particularly useful for such venues that have a low ceiling height, allowing it to fit into spaces that wouldn’t be practical for larger units.

The Stinger Spot is powered by a bright 10-Watt white LED light-source which is paired with advanced optics that means the output is comparable to other more powerful fixtures. With a beam angle of 13-degrees it is ideal for creating impactful mid-air effects as well as for projecting GOBO patterns onto venue walls, ceilings, and dancefloors.

With pan and tilt ranges of 510-degrees and 210-degrees respectively, the unit’s head has a wide field of movement. Its small size allows for extremely fast motion, while the inclusion of 16-bit fine control over the stepper motors allow for precise positioning and smooth motion at slower speeds. Whether you’re looking for a fixture to spotlight the cake or special moments at a wedding, or to fill a dancefloor with fast-paced moving colored light beams, the Stinger Spot has you covered.

The fixture is fitted with independent color and GOBO wheels, giving you a wide variety of options when it comes to designing a lightshow. The color wheel features seven richly saturated color filters, in addition to an open white slot, while the GOBO wheel is supplied with seven detailed fixed patterns, as well as an open spot. GOBO scrolling and shaking effects further add to the creative potential of the fixture along with a variable speed strobe function. A manual focus lens is also mounted on the front of the unit which can be adjusted to ensure sharp patterns at different projection distances.

The Stinger Spot also offers plenty of flexibility when it comes to operating modes. It doesn’t matter if you want to control exactly what the fixture is doing at any given moment or if you’d prefer to ‘set it and forget it’ running its pre-programmed effects, this flexible unit covers all bases. It features a four-segment LED display, with four corresponding push-buttons, to provide access to an intuitive menu-driven interface that allows easy selection between its three operating modes and their various options.

For simple ‘plug and play’ operation, the fixture is supplied with four pre-set lightshows. You can set these to run at a constant speed in Show mode or triggered by the beat of your music, detected by an internal microphone, using Sound mode. You can also link together multiple fixtures using XLR cables to easily create a synchronized lightshow in either of these modes, while the option to select any of the fixtures to carry out inverted movements is simple to select.

If you want to use a controller or piece of software to create custom looks and programs for your lightshow, the Stinger Spot is also compatible with the universal DMX control protocol. You can easily select between a basic 9-channel mode (if you have limited DMX channels available) and a full 11-channel mode (which adds in fine pan and tilt control), providing full remote control of all of the fixture’s various features.

With an operating life of approximately 50,000 hours, lamp replacement is a thing of the past when you choose the Stinger Spot. Another advantage of the LED light-source is its low power draw of just 36-Watts. This means that if you’re a mobile entertainer you can easily run multiple fixtures and a sound system from just one domestic mains power socket.

The easily-portable fixture measures just 6.75” x 5.75” x 10.75” / 174 x 145 x 273mm (LxWxH) and weighs only 7 lbs. / 3 kgs. It is fitted with rubber feet – allowing it to stand directly on a truss podium, speaker, stage, or riser – and is also supplied with an Omega bracket to allow the attachment of a truss clamp. The unit is fan-cooled and is fitted with both input and output sockets for power, which allows multiple fixtures to be connected together from one mains power socket.

Continuing ADJ’s commitment to bringing our customers effective and reliable products at affordable prices, the Startec Stinger Spot brings the flexibility of moving heads within the budget of many mobile entertainers and smaller venues for which they wouldn’t previously have been an option. Combining a powerful LED light-source, advanced optics, and a variety of useful features, this fixture is an ideal first moving head as well as an affordable replacement for older halogen-lamp powered units.

]]> <![CDATA[ADJ Mister Kool II - Low Lying Dry Ice Effect Fog Machine]]> https://phantomdynamics.com/blog/adj-mister-kool-ii-low-lying-dry-ice-effect-fog-machine/ Sat, 15 Jul 2017 21:30:13 +0000 https://phantomdynamics.com/blog/adj-mister-kool-ii-low-lying-dry-ice-effect-fog-machine/ The new ADJ Mister Kool II low lying fog machine is perfect for that really cool spooky dry ice fog effect used in haunted houses, haunted grave yard scenes as well as fog effects for movies, TV, stage and theater

Mister Kool II incorporates a regular fog machine, which uses standard, inexpensive water-based fog juice. The output from this fog generator is then passed through a chiller box on the front of the unit which has space to store 4 pounds of cubed ice. This dramatically reduces the temperature of the fog and causes it to flow out of the nozzle on the front of the unit in floor-hugging clouds that are ideal for creating special effects in many different situations

If you run an equipment rental house or production company, the effect is ideal for amateur dramatics productions as it is much more affordable, not to mention safer, than traditional CO2-based effects. Alternatively, if you’re a mobile DJ or entertainer, the effect is perfect for enhancing the atmosphere during a wedding first dance. In fact, many DJs are able to charge a significant premium for a ‘dancing in the clouds’ service.

Mister Kool II features a powerful 700W heater (increased from 400W on the original model) and offers an impressive output of 3,000 cubic feet per minute (up from 2,500 on the original). Its advanced heating technology means that it is ready for action after just three minutes of warm-up time and it incorporates a 0.8 Liter fluid tank (increased from 0.5 on the original Mister Kool). With a fluid consumption rate of 90ml/min it is capable of over 8 minutes of continuous operation from a single tank of fluid – more than enough to fill even the largest stage or dance floor with atmospheric low-lying fog.

The machine is fitted with a water drainage value on its rear panel, which can be used to easily empty the machine of melted ice. It is provided with a plastic tube and a storage bag that can be easily attached to the valve and used to collect and then dispose of the waste water. This allows for simple clean up after the machine has been used and helps to prevent splashes and spills.

An ADJ VFTR13 12-foot wired remote is provided with the unit as standard. This features three control buttons which allow manual, continuous, and time-controlled fogging. Status LEDs above each button indicate which mode is currently in use and two rotary controls are provided to set the Duration and Interval for when the timer mode is in operation.

Weighing in at 19 lbs. (9kg), and with measurements of 18” x 11.75” x 10.25” (460 x 300 x 262mm), the Mister Kool II is a substantial machine. However it is also easy to store and transport thanks to its integrated carry handle and robust metal construction.

Retaining the innovative design of its predecessor, the new Mister Kool II is the ideal source of low-lying fog for staging and effects professionals. And, with its beefed-up heater, increased output, and expanded fluid tank, it is set to continue the legacy of the original machine for many years to come. If you’re looking for an effective, yet affordable, low-fog generator, look no further than the ADJ Mister Kool II!

]]> The new ADJ Mister Kool II low lying fog machine is perfect for that really cool spooky dry ice fog effect used in haunted houses, haunted grave yard scenes as well as fog effects for movies, TV, stage and theater

Mister Kool II incorporates a regular fog machine, which uses standard, inexpensive water-based fog juice. The output from this fog generator is then passed through a chiller box on the front of the unit which has space to store 4 pounds of cubed ice. This dramatically reduces the temperature of the fog and causes it to flow out of the nozzle on the front of the unit in floor-hugging clouds that are ideal for creating special effects in many different situations

If you run an equipment rental house or production company, the effect is ideal for amateur dramatics productions as it is much more affordable, not to mention safer, than traditional CO2-based effects. Alternatively, if you’re a mobile DJ or entertainer, the effect is perfect for enhancing the atmosphere during a wedding first dance. In fact, many DJs are able to charge a significant premium for a ‘dancing in the clouds’ service.

Mister Kool II features a powerful 700W heater (increased from 400W on the original model) and offers an impressive output of 3,000 cubic feet per minute (up from 2,500 on the original). Its advanced heating technology means that it is ready for action after just three minutes of warm-up time and it incorporates a 0.8 Liter fluid tank (increased from 0.5 on the original Mister Kool). With a fluid consumption rate of 90ml/min it is capable of over 8 minutes of continuous operation from a single tank of fluid – more than enough to fill even the largest stage or dance floor with atmospheric low-lying fog.

The machine is fitted with a water drainage value on its rear panel, which can be used to easily empty the machine of melted ice. It is provided with a plastic tube and a storage bag that can be easily attached to the valve and used to collect and then dispose of the waste water. This allows for simple clean up after the machine has been used and helps to prevent splashes and spills.

An ADJ VFTR13 12-foot wired remote is provided with the unit as standard. This features three control buttons which allow manual, continuous, and time-controlled fogging. Status LEDs above each button indicate which mode is currently in use and two rotary controls are provided to set the Duration and Interval for when the timer mode is in operation.

Weighing in at 19 lbs. (9kg), and with measurements of 18” x 11.75” x 10.25” (460 x 300 x 262mm), the Mister Kool II is a substantial machine. However it is also easy to store and transport thanks to its integrated carry handle and robust metal construction.

Retaining the innovative design of its predecessor, the new Mister Kool II is the ideal source of low-lying fog for staging and effects professionals. And, with its beefed-up heater, increased output, and expanded fluid tank, it is set to continue the legacy of the original machine for many years to come. If you’re looking for an effective, yet affordable, low-fog generator, look no further than the ADJ Mister Kool II!

]]> <![CDATA[Capture Nexum Lighting Computer Software]]> https://phantomdynamics.com/blog/capture-nexum-lighting-computer-software/ Tue, 09 May 2017 21:41:43 +0000 https://phantomdynamics.com/blog/capture-nexum-lighting-computer-software/ "Nexum" is latin for "the location where many things connect" and with Capture Nexum we have truly managed to expand Capture's connection points to other technologies and systems, ranging from screen technology and LED as well as filter colour accuracy to physical media input and streaming technologies, 3D model and fixture data / patch file format interchange to 3D motion tracking.

The following are the most interesting new concepts, enhancements and features introduced with Capture Nexum.

Accurate colour visualization
Capture has adopted the ACES (Academy Color Encoding System) colour model for its rendering pipeline, allowing colour computations to be made in a colour space designed to accomodate all physically available colours as opposed to only those traditionally visible on a computer screen. The library has also been extended with scientifically accurate colour information for filters and LED light sources, resulting in more true-to-life colours on screen.

Visualization enhancements
A new fill lighting option emulates global illumination effects, rendering a much more credible atmosphere sensitive to colour changes in the lighting. Anti-aliasing shaves off the rough edges of your geometry, making the visualization much more pleasing and credible. Further enhancements provide visualization of narrowly laid out multi-aperture fixtures as well as oval PAR lamps.

NewTek NDI video streaming
Capture can now receive live video streams from NewTek NDI sources, the new ethernet-based high quality cross-platform video streaming solution. This opens for a wide variety of video sources including media servers, video players such as VLC, video capture device and broadcast environment video sources.

Video capture devices
As a complement to local video file playback, Capture now also supports video capture devices as means of getting live video into Capture. On Windows, Media Foundation drivers are required and we have verified compatibility with the new DataPath VisionLC video capture card range.

DMX generated textures
By generating material textures using DMX it is possible to visualize a variety of different setups otherwise difficult to create, such as DMX controlling the colour of an object, simulating a LED dance floor or a decorational LED tape without having to place and patch individual LEDs.

Cinema 4D import
Import Cinema 4D (*.c4d) files from MAXON's popular 3D package directly into Capture, split by objects and with material and layer support, preserving flat and UVW texture projections. Capture also understands and treats entities from the Hantmade Stage plugin as single objects and is able to automatically replace them with Capture library fixtures.

DWG & DXF import enhancements
Capture now also understands materials and textures in DWG files and splits imported entities by both materials and solids, making imported objects easier to work with. Edge visiblity preservation has also been improved, avoiding unnecessary clutter in the imported objects.

Data import enhancements
Capture is now able to add new fixtures to a project during data import, optionally replacing imported objects with fixtures as well. Special care has been taken to automatically configure the import process for files from ChamSys MagicVis, grandMA2 and VectorWorks. In combination with the DWG import enhancements, a complete workflow for exporting 3D model and fixture information from VectorWorks into Capture now exists.

Data export enhancements
Capture now also supports exporting data in the High End Hog 4 patch XML format (available with Hog 4 version 3.6).

PosiStageNet and RTTrPM motion tracking
Capture now supports PosiStageNet, the open protocol for on-stage, live 3D position streaming from VYV and MA Lighting. This opens up the possibility for any motion control systems to integrate with Capture. Capture now also supports the RTTrPM open protocol, supported by BlackTrax the real-time tracking system by CAST.

]]> "Nexum" is latin for "the location where many things connect" and with Capture Nexum we have truly managed to expand Capture's connection points to other technologies and systems, ranging from screen technology and LED as well as filter colour accuracy to physical media input and streaming technologies, 3D model and fixture data / patch file format interchange to 3D motion tracking.

The following are the most interesting new concepts, enhancements and features introduced with Capture Nexum.

Accurate colour visualization
Capture has adopted the ACES (Academy Color Encoding System) colour model for its rendering pipeline, allowing colour computations to be made in a colour space designed to accomodate all physically available colours as opposed to only those traditionally visible on a computer screen. The library has also been extended with scientifically accurate colour information for filters and LED light sources, resulting in more true-to-life colours on screen.

Visualization enhancements
A new fill lighting option emulates global illumination effects, rendering a much more credible atmosphere sensitive to colour changes in the lighting. Anti-aliasing shaves off the rough edges of your geometry, making the visualization much more pleasing and credible. Further enhancements provide visualization of narrowly laid out multi-aperture fixtures as well as oval PAR lamps.

NewTek NDI video streaming
Capture can now receive live video streams from NewTek NDI sources, the new ethernet-based high quality cross-platform video streaming solution. This opens for a wide variety of video sources including media servers, video players such as VLC, video capture device and broadcast environment video sources.

Video capture devices
As a complement to local video file playback, Capture now also supports video capture devices as means of getting live video into Capture. On Windows, Media Foundation drivers are required and we have verified compatibility with the new DataPath VisionLC video capture card range.

DMX generated textures
By generating material textures using DMX it is possible to visualize a variety of different setups otherwise difficult to create, such as DMX controlling the colour of an object, simulating a LED dance floor or a decorational LED tape without having to place and patch individual LEDs.

Cinema 4D import
Import Cinema 4D (*.c4d) files from MAXON's popular 3D package directly into Capture, split by objects and with material and layer support, preserving flat and UVW texture projections. Capture also understands and treats entities from the Hantmade Stage plugin as single objects and is able to automatically replace them with Capture library fixtures.

DWG & DXF import enhancements
Capture now also understands materials and textures in DWG files and splits imported entities by both materials and solids, making imported objects easier to work with. Edge visiblity preservation has also been improved, avoiding unnecessary clutter in the imported objects.

Data import enhancements
Capture is now able to add new fixtures to a project during data import, optionally replacing imported objects with fixtures as well. Special care has been taken to automatically configure the import process for files from ChamSys MagicVis, grandMA2 and VectorWorks. In combination with the DWG import enhancements, a complete workflow for exporting 3D model and fixture information from VectorWorks into Capture now exists.

Data export enhancements
Capture now also supports exporting data in the High End Hog 4 patch XML format (available with Hog 4 version 3.6).

PosiStageNet and RTTrPM motion tracking
Capture now supports PosiStageNet, the open protocol for on-stage, live 3D position streaming from VYV and MA Lighting. This opens up the possibility for any motion control systems to integrate with Capture. Capture now also supports the RTTrPM open protocol, supported by BlackTrax the real-time tracking system by CAST.

]]> <![CDATA[LED Lights for DJ’s]]> https://phantomdynamics.com/blog/led-lights-for-djs/ Thu, 16 Mar 2017 21:46:39 +0000 https://phantomdynamics.com/blog/led-lights-for-djs/ LED lighting is taking over the industry as far as a light source for the DJ and nightclub market as well as a host of other industries. The new LED (light emitting diode) technology has now become more sophisticated and advanced and is already surpassing most conventional lighting sources like halogen and discharge lamp light engines that use to power lighting fixtures such as par cans, moving heads, black-lights and other special effect lighting.

LED light fixtures are designed in a few different ways. Using different configurations, the lights can be designed in a multitude of LED arrays including, RGB, RGBW, RGBA, RGBWA, RGBWA + UV or a white LED power engine that can power that light using color filters to produce colors and effects (the latter mostly used in moving head lights)

The biggest advantage of LED light sources is that it is much more efficient, LED lighting can turn it’s energy into light more that heat, so it takes less power to drive the lighting and you get much more light output and much less heat, this means that these lights can run cooler (all night long) use less energy and the life expectancy is somewhere in the 50,000 hours range, and giving most clubs and DJ's uses their lights about 6-8 hours in a night, you can expect years out of your LED lighting fixtures with little or no maintenance and you never have to replace lamps because LED light sources are usually printed on a circuit board with all of the electronics to run and control them.

Also the newer LED lighting fixtures have the control and logic systems built into the lights and that makes it easy to set up and use and control via DMX, Auto mode or sound active mode. LED light fixtures are also much more compact and lighter and are the perfect choice for installations, production or mobile venues

]]> LED lighting is taking over the industry as far as a light source for the DJ and nightclub market as well as a host of other industries. The new LED (light emitting diode) technology has now become more sophisticated and advanced and is already surpassing most conventional lighting sources like halogen and discharge lamp light engines that use to power lighting fixtures such as par cans, moving heads, black-lights and other special effect lighting.

LED light fixtures are designed in a few different ways. Using different configurations, the lights can be designed in a multitude of LED arrays including, RGB, RGBW, RGBA, RGBWA, RGBWA + UV or a white LED power engine that can power that light using color filters to produce colors and effects (the latter mostly used in moving head lights)

The biggest advantage of LED light sources is that it is much more efficient, LED lighting can turn it’s energy into light more that heat, so it takes less power to drive the lighting and you get much more light output and much less heat, this means that these lights can run cooler (all night long) use less energy and the life expectancy is somewhere in the 50,000 hours range, and giving most clubs and DJ's uses their lights about 6-8 hours in a night, you can expect years out of your LED lighting fixtures with little or no maintenance and you never have to replace lamps because LED light sources are usually printed on a circuit board with all of the electronics to run and control them.

Also the newer LED lighting fixtures have the control and logic systems built into the lights and that makes it easy to set up and use and control via DMX, Auto mode or sound active mode. LED light fixtures are also much more compact and lighter and are the perfect choice for installations, production or mobile venues

]]> <![CDATA[Entour Venue: Pro Mobile Faze Machine Let’s You Get Hazing Right Away!]]> https://phantomdynamics.com/blog/entour-venue-pro-mobile-faze-machine-lets-you-get-hazing-right-away/ Wed, 15 Feb 2017 21:48:19 +0000 https://phantomdynamics.com/blog/entour-venue-pro-mobile-faze-machine-lets-you-get-hazing-right-away/ There’s no doubt about it, the difference a hazy atmosphere can make to a lightshow is immense. Haze will give definition to beams and create a depth to lighting effects that is far more engaging than simple surface color washes and GOBO projections. That’s why an effective and reliable haze generator is an essential piece of equipment for all venues and mobile lightshows that make use of mid-air beam effects.

Entour Venue At A Glance:
• 1500W mobile DMX Faze Machine
• Output: 15,000 cubic ft. per min.
• 3 DMX Channel Modes; 1/2/4
• Blue LCD Function Display with 6-button built-in remote
• Control: Fog Timer, Volume Control, Continuous Fogging, & Manual Fogging
• Warm-up time: 45 Seconds
• 3-pin & 5-pin DMX In/Out

The Entour Venue is ADJ’s new high-output professional faze machine which builds on the success of our Entourage touring faze machine that was launched last year and proved incredibly popular. Where the Entourage was built-in to a road case, for ease of use on tours, the Entour Venue is fitted with an adjustable hanging bracket, as well as rubber feet, making it equally suited to sitting on the floor as it is for hanging from a truss or lighting rig. This new model is also more compact and comes in at a lower price point, making it more affordable if you’re on a tight budget.

Just like the Entourage, the Entour Venue offers a hybrid between a conventional fog machine and a haze machine. It uses economical water-based fog fluid, but disperses it thinly over a much wider area to create the perfect atmosphere for vibrant mid-air beam effects. It also features variable output volume, adjustable speed fan, and a multi-angle output vent, which means that it is capable of generating just the right amount of faze – in exactly the right place – for any given application.

Offering easy setup and operation, as well as an exceptionally quick warm-up time of just 45 seconds, the Entour Venue can be ready for action in no time at all. It is also capable of continuous operation and incorporates a large built-in fluid tank, with a capacity of 5.6 liters, which means that it is ideal for use in big venues and on large-scale productions when a significant amount of atmospheric faze is required over a prolonged period of time. The machine’s maximum fluid consumption is 9ml/min, which equates to over 10 hours of continuous output at full power. Meanwhile, set to its lowest output, the machine’s fluid consumption drops to 0.45ml/min, allowing it to run continuously for over 200 hours on a single tank.

It doesn’t matter if you’re a mobile entertainer looking for a portable haze solution for taking out on the road or an installer fitting out a nightclub, the Entour Venue is the perfect solution. Similarly, if you look after the AV for a church and want to create the right atmosphere to get the most from your lighting system, this compact, reliable, and affordable unit is ideal. It’s also a perfect choice if you run a production company providing sound and lighting services to a range of different events, as the machine can fill the biggest of spaces with lightshow-enhancing haze, but can also be dialed down for use in smaller rooms.

The Entour Venue is a flexible machine that is easy to get going but also offers advanced features for use in every conceivable situation that you might want to create a hazy atmosphere. It offers four different operating modes, which are easily accessible using the controls located on the front panel. A blue back-lit LCD screen is also situated on the front of the unit, displaying information relating to the various options offered within each mode. For quick and easy operation, the Manual mode has its own dedicated button. Simply pressing this will start the machine outputting faze at maximum capacity, while releasing the button de-activates the mode.

Using a menu-driven interface facilitated by the LCD screen, the Entour Venue can also be set up for standalone operation. Continuous mode allows the fog Output Volume to be set between 5% and 100%, while the Fan Speed can be independently configured to between 5% and 100%. The machine will then continue to output faze constantly, using the selected settings, for as long as required. Alternatively, the Timer mode can be used to set a Duration (between 3 and 250 seconds) as well as an Interval (also between 3 and 250 seconds), offering an alternative method for continuous standalone operation.

A professional fixture, the Entour Venue is fitted with both 3-pin and 5-pin XLR DMX input and output sockets, for maximum flexibility. It can also be integrated into a fully-controlled lighting and effects system using a choice of three different DMX modes, requiring 1, 2 or 4 channels respectively, depending on the level of control you require. The basic 1-channel option offers combined variable control of the fog Output Volume and Fan Speed, while the 2-channel mode separates out control of these two functions. The full 4-channel option, meanwhile, not only offers variable independent control of Output Volume and Fan Speed but also remote control of the unit’s timer Interval and Duration settings.

Measuring 21” x 15.25” x 9.75” / 533 x 387 x 249mm (LxWxH) and weighing 47 lbs. / 21.3 kg, the Entour Venue is a relatively compact and light-weight fixture. This makes it equally suited to large mobile lightshows as it is for permanent installation in venues such as nightclubs, theatres, and churches.

The Entour Venue is available now and offers an unbeatable combination of high output, compact size, and versatile control features, making it the perfect professional atmosphere enhancer for any large venue installation or mobile lightshow. If you’re looking for a powerful, flexible, and affordable atmosphere generator, look no further than the ADJ Entour Venue!

]]> There’s no doubt about it, the difference a hazy atmosphere can make to a lightshow is immense. Haze will give definition to beams and create a depth to lighting effects that is far more engaging than simple surface color washes and GOBO projections. That’s why an effective and reliable haze generator is an essential piece of equipment for all venues and mobile lightshows that make use of mid-air beam effects.

Entour Venue At A Glance:
• 1500W mobile DMX Faze Machine
• Output: 15,000 cubic ft. per min.
• 3 DMX Channel Modes; 1/2/4
• Blue LCD Function Display with 6-button built-in remote
• Control: Fog Timer, Volume Control, Continuous Fogging, & Manual Fogging
• Warm-up time: 45 Seconds
• 3-pin & 5-pin DMX In/Out

The Entour Venue is ADJ’s new high-output professional faze machine which builds on the success of our Entourage touring faze machine that was launched last year and proved incredibly popular. Where the Entourage was built-in to a road case, for ease of use on tours, the Entour Venue is fitted with an adjustable hanging bracket, as well as rubber feet, making it equally suited to sitting on the floor as it is for hanging from a truss or lighting rig. This new model is also more compact and comes in at a lower price point, making it more affordable if you’re on a tight budget.

Just like the Entourage, the Entour Venue offers a hybrid between a conventional fog machine and a haze machine. It uses economical water-based fog fluid, but disperses it thinly over a much wider area to create the perfect atmosphere for vibrant mid-air beam effects. It also features variable output volume, adjustable speed fan, and a multi-angle output vent, which means that it is capable of generating just the right amount of faze – in exactly the right place – for any given application.

Offering easy setup and operation, as well as an exceptionally quick warm-up time of just 45 seconds, the Entour Venue can be ready for action in no time at all. It is also capable of continuous operation and incorporates a large built-in fluid tank, with a capacity of 5.6 liters, which means that it is ideal for use in big venues and on large-scale productions when a significant amount of atmospheric faze is required over a prolonged period of time. The machine’s maximum fluid consumption is 9ml/min, which equates to over 10 hours of continuous output at full power. Meanwhile, set to its lowest output, the machine’s fluid consumption drops to 0.45ml/min, allowing it to run continuously for over 200 hours on a single tank.

It doesn’t matter if you’re a mobile entertainer looking for a portable haze solution for taking out on the road or an installer fitting out a nightclub, the Entour Venue is the perfect solution. Similarly, if you look after the AV for a church and want to create the right atmosphere to get the most from your lighting system, this compact, reliable, and affordable unit is ideal. It’s also a perfect choice if you run a production company providing sound and lighting services to a range of different events, as the machine can fill the biggest of spaces with lightshow-enhancing haze, but can also be dialed down for use in smaller rooms.

The Entour Venue is a flexible machine that is easy to get going but also offers advanced features for use in every conceivable situation that you might want to create a hazy atmosphere. It offers four different operating modes, which are easily accessible using the controls located on the front panel. A blue back-lit LCD screen is also situated on the front of the unit, displaying information relating to the various options offered within each mode. For quick and easy operation, the Manual mode has its own dedicated button. Simply pressing this will start the machine outputting faze at maximum capacity, while releasing the button de-activates the mode.

Using a menu-driven interface facilitated by the LCD screen, the Entour Venue can also be set up for standalone operation. Continuous mode allows the fog Output Volume to be set between 5% and 100%, while the Fan Speed can be independently configured to between 5% and 100%. The machine will then continue to output faze constantly, using the selected settings, for as long as required. Alternatively, the Timer mode can be used to set a Duration (between 3 and 250 seconds) as well as an Interval (also between 3 and 250 seconds), offering an alternative method for continuous standalone operation.

A professional fixture, the Entour Venue is fitted with both 3-pin and 5-pin XLR DMX input and output sockets, for maximum flexibility. It can also be integrated into a fully-controlled lighting and effects system using a choice of three different DMX modes, requiring 1, 2 or 4 channels respectively, depending on the level of control you require. The basic 1-channel option offers combined variable control of the fog Output Volume and Fan Speed, while the 2-channel mode separates out control of these two functions. The full 4-channel option, meanwhile, not only offers variable independent control of Output Volume and Fan Speed but also remote control of the unit’s timer Interval and Duration settings.

Measuring 21” x 15.25” x 9.75” / 533 x 387 x 249mm (LxWxH) and weighing 47 lbs. / 21.3 kg, the Entour Venue is a relatively compact and light-weight fixture. This makes it equally suited to large mobile lightshows as it is for permanent installation in venues such as nightclubs, theatres, and churches.

The Entour Venue is available now and offers an unbeatable combination of high output, compact size, and versatile control features, making it the perfect professional atmosphere enhancer for any large venue installation or mobile lightshow. If you’re looking for a powerful, flexible, and affordable atmosphere generator, look no further than the ADJ Entour Venue!

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